Pere Ubu Cleveland, Ohio
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The Pere Ubu
project was supposed to be an end, not a beginning. Assembled in August 1975 to be the Crosby, Stills, Nash & Young of the Cleveland music underground, the plan was to record one, maybe two singles and exist no more. Within months, however, those first self-produced records were being snapped up in worldwide.
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I'm Alive!
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supported by 26 fans who also own “The Duke's Saharan Ambitions”
This is a live gem and an excellent companion to the ‘David Thomas, Monster’ recordings that were released in the UK around the same time.
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supported by 25 fans who also own “The Duke's Saharan Ambitions”
go to album
supported by 25 fans who also own “The Duke's Saharan Ambitions”
“We decided that if it looks like a duck, walks like a duck, and quacks like a duck: it’s a duck” (David Thomas) “I'm crossing parrots with carrier pigeons” “What for?” “So you can send vocal messages!” (Buddy Ebsen to Frances Langford; “BORN TO DANCE” 1936) Life originated in a swamp: this duck is doing things that no ordinary duck can do, since day one, 50 years in advance, never interested in becoming a boring lake swan. The world is just a pond: I'm glad to be “Born to the MODERN Dance”
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Their first new music since 2021, SLOMO return with an EP of gothy post-punk with dark synth undertones.
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The pulsing industrial sounds on the wonderfully brutal new LP from Tokyo group Rinsaga will be catnip for the black-glove-and-mesh set.
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I've Never Met A Stranger
by Picastro
Tenderly bent experimental rock as delicate as latticework from long-running Toronto indie outfit Picastro.
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supported by 23 fans who also own “The Duke's Saharan Ambitions”
This reminds me of a great night at Cafe OTO - love it!
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